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Simon Fraser University
https://search.heritageburnaby.ca/link/landmark639
- Repository
- Burnaby Heritage Planning
- Description
- The planning, design concept, design coordination, site development and landscaping for the original part of the campus were all under the control of Erickson/Massey. The complex was conceived as one building, with future growth occurring at the periphery. Tall buildings would have been out of scal…
- Associated Dates
- 1965
- Street View URL
- Google Maps Street View
- Repository
- Burnaby Heritage Planning
- Geographic Access
- University Drive
- Associated Dates
- 1965
- Description
- The planning, design concept, design coordination, site development and landscaping for the original part of the campus were all under the control of Erickson/Massey. The complex was conceived as one building, with future growth occurring at the periphery. Tall buildings would have been out of scale with the massive mountaintop ridge, so a series of horizontal terraced structures were designed that hugged the ridge and dissolve into the landscape. Following the linear peak of the mountain, the scheme organized various parts of the campus along an east/west line. The concept of a central academic quadrangle was conceived within the tradition of Oxford and Cambridge, and to enhance the sense of contemplative quiet, it was designed as a perfect square raised on massive pilotis, allowing stunning views through a landscaped courtyard. The connecting link was a gigantic space frame-developed in conjunction with Jeffrey Lindsay, a one-time associate of Buckminster Fuller-that provided shelter and a gathering-place for the students. Other architects who had placed among the top five in the competition were retained to design the individual components of the original plan: the Academic Quadrangle by Zoltan S. Kiss; the Theatre, Gymnasium & Swimming Pool by Duncan McNab & Associates; the Science Complex by Rhone & Iredale; and the Library by Robert F. Harrison.
- Heritage Value
- Following the end of the Second World War, there was unprecedented growth throughout the Lower Mainland. Many returning veterans had settled on the coast, and the loosening of wartime restrictions led to the creation of many new suburban developments throughout the region. The growing population strained existing facilities, and there was a recognition that new educational facilities had to be constructed to meet these growing demands. For many years, the only university in the province was the University of British Columbia. In the 1960s, new universities were planned for both Victoria and Burnaby to serve the wave of baby boomers just then going through high school. The dramatic site chosen for the Burnaby university was the top of Burnaby Mountain, with expansive views over mountain ranges and water. An architectural competition was held for a campus of 7,000 students that could eventually be expanded to 18,000. Of the many submissions, the judges reached unanimity on the winner, an outstanding scheme submitted by the firm of Erickson/Massey. The judges went even further, and recommended that every effort be made to ensure that the winning design be built as submitted. The new Chancellor, Gordon Shrum, agreed. The realization of this scheme won extensive recognition for the work of Arthur Erickson and Geoffrey Massey, and launched Erickson’s international career. In Erickson’s words: "Unlike any previous university, Simon Fraser is a direct translation into architecture of the expanding fields of knowledge that defy traditional boundaries, of the vital role of the university as both challenger and conservor of human culture, and of the university community as one in constant intellectual, spiritual and social interchange." The new school opened for classes in September 1965, nicknamed the “instant university,” and quickly gained a radical reputation. The startling futuristic architecture and open layout suited the explosive nature of the mid-1960s, when political and social traditions of all types were being questioned and student protests were common. Many of SFU’s programs were considered experimental, even controversial, and unrest and conflict on the campus continued for a number of years. Since this auspicious beginning 40 years ago, SFU has grown to house 25,000 students on three campuses. The core of the original campus, recognized world-wide as a profound work of architecture, remains essentially intact today.
- Locality
- Burnaby Mountain
- Historic Neighbourhood
- Barnet (Historic Neighbourhood)
- Planning Study Area
- Burnaby Mountain Area
- Architect
- Erickson/Massey
- Area
- 1360000.00
- Contributing Resource
- Building
- Ownership
- Private
- Street Address
- 8888 University Drive
- Street View URL
- Google Maps Street View
Images
Dr. William & Ruth Baldwin House
https://search.heritageburnaby.ca/link/landmark534
- Repository
- Burnaby Heritage Planning
- Description
- The Dr. William & Ruth Baldwin House is a two-storey modern post-and-beam structure, located on the southern shore of Deer Lake in Burnaby's Deer Lake Park. The site is steeply sloped, and the main entrance of the house is at the top of the slope facing onto Deer Lake Drive.
- Associated Dates
- 1965
- Formal Recognition
- Community Heritage Register
- Repository
- Burnaby Heritage Planning
- Geographic Access
- Deer Lake Drive
- Associated Dates
- 1965
- Formal Recognition
- Community Heritage Register
- Enactment Type
- Council Resolution
- Enactment Date
- 26/05/2003
- Description
- The Dr. William & Ruth Baldwin House is a two-storey modern post-and-beam structure, located on the southern shore of Deer Lake in Burnaby's Deer Lake Park. The site is steeply sloped, and the main entrance of the house is at the top of the slope facing onto Deer Lake Drive.
- Heritage Value
- The Baldwin House is valued as a prime example of Burnaby’s post-Second World War modern heritage and progressive architectural style, as well as for its personal connections to internationally-acclaimed architect, Arthur Erickson. Inspired by the modern domestic idiom established earlier in the twentieth century by Frank Lloyd Wright and Richard Neutra, Erickson conceived his architecture as responding directly to the site. A cohesive expression of simple orthogonal lines and ultimate transparency, this structure reduces the idea of post-and-beam West Coast modernism to its most refined elements. A fine example of the evolving talent of Erickson’s earlier work, this house is a landmark modern house in Burnaby and is unique in terms of siting and context. Having just won the 1963 competition for the new Simon Fraser University in Burnaby with his partner, Geoff Massey, and having built fewer than half a dozen homes previously, Erickson’s reputation was growing and his skill as a designer of modern buildings was in great demand. The same year that Erickson/Massey Architects designed SFU, Dr. William Baldwin and his wife, Ruth, personal friends of Erickson, commissioned him to design this house. Erickson was already familiar with the site; as a child he had spent time at this spot when his family visited friends who lived on Deer Lake. Both the Baldwin House and the university were completed in 1965. SFU became internationally famous; the Baldwin House was also considered an architectural success and was recognized in publications of the time. Only a single storey of this two-storey house is visible from the road, as it is built into the hillside in response to its steep site and proximity to Deer Lake. Like many other Erickson designs, this structure was conceived as a pavilion. Constructed of glass and wood, its transparency facilitates visual access to the lake’s edge, acting as an invitation, rather than a barrier, to the landscape. The house blends into the natural surroundings and the site includes other man-made landscape features such as a reflecting pool. As a reaction to the often grey quality of light in the region, Erickson exploits flat planes of water as a source of borrowed light. The refined and purposeful design, transparency, openness of plan and adjacency to the lake combine to give the house a floating appearance at the water's edge. The concept of a floating house set within an accompanying garden was inspired, in part, by the palaces and house boats of Dal Lake in Kashmir and the famed nearby Mughal Gardens. Although Erickson never visited Dal Lake, he travelled extensively throughout India, and specifically mentions the Kashmir reference in relation to this house. There is a rich complexity of other allusions worked into the fabric of the house, unified by a feeling for the conjunction of light, water and land at this special location. Widely renowned as Canada’s most brilliant modern architect, Erickson’s reputation is important to the development and growth of modern architecture in Canada and North America.
- Defining Elements
- The elements of the Baldwin House that define its character are those materials and details which respond to the location of the building and determine the relation between landscape and building, combining to create a single cohesive site. These include its: - close proximity to water - orthogonal plan and massing, with flat tar-and-gravel roof - stepped down massing orienting the house towards the water - post-and-beam construction, with the width of the beams matched to the width of the posts - wood and glass used as primary building materials - transparency and light achieved by the abundant use of glass - large undivided sheets of single glazing - butt glazed glass corners - abundant and generous balconies, which blur the transition from interior to exterior - horizontal flush cedar siding - use of salvaged brick for chimneys - use of chains as downspouts - built-in rooftop barbeque - built in furniture and fittings dating to the time of construction, such as original hardware, benches, bathroom vanities and kitchen cabinets - landscaped site including reflecting pool, plantings and a dock protruding into the lake
- Locality
- Deer Lake Park
- Historic Neighbourhood
- Burnaby Lake (Historic Neighbourhood)
- Planning Study Area
- Morley-Buckingham Area
- Function
- Primary Current--Single Dwelling
- Primary Historic--Single Dwelling
- Community
- Burnaby
- Cadastral Identifier
- P.I.D. No. 011-946-032 and P.I.D. No. 011-946-067
- Boundaries
- The Baldwin House is comprised of two municipally-owned lots located at 6543 and 6545 Deer Lake Drive, Burnaby.
- Area
- 6,070.20
- Contributing Resource
- Building
- Landscape Feature
- Ownership
- Public (local)
- Other Collection
- Canadian Architectural Archives, University of Calgary, Collection: Original Plans No. ERI 4A/76.13
- Documentation
- Heritage Site Files: PC77000 20. City of Burnaby Planning and Building Department, 4949 Canada Way, Burnaby, B.C., V5G 1M2
- Street Address
- 6543 Deer Lake Drive
Images
Hans & Anna Hau Residence
https://search.heritageburnaby.ca/link/landmark588
- Repository
- Burnaby Heritage Planning
- Description
- Residential building.
- Associated Dates
- c.1935
- Street View URL
- Google Maps Street View
- Repository
- Burnaby Heritage Planning
- Geographic Access
- Canada Way
- Associated Dates
- c.1935
- Description
- Residential building.
- Heritage Value
- Danish builder Hans Jorgensen Hau (1878-1944) and his wife Anna (née Sorenson, 1874-1956), constructed this highly-distinctive Tudor Revival residence circa 1935. This was a time of entrenched traditionalism, and most domestic architecture reflected period revival styles. Tudor elements have been compressed here into a cottage form, including a distinctive front façade with half timbering and brick noggin; on the sides the nogging is rock-dash stucco. Casement windows contribute to the cottage appearance. The rear façade is clad with more utilitarian shingles. A prominent brick chimney exhibits angled and corbelled brickwork. Hau worked as a bricklayer and stonemason, and this house has common elements with the Moore Residence at 5165 Sperling Avenue, which Hau designed and constructed in 1943.
- Locality
- Burnaby Lake
- Historic Neighbourhood
- Burnaby Lake (Historic Neighbourhood)
- Planning Study Area
- Morley-Buckingham Area
- Area
- 2010.52
- Contributing Resource
- Building
- Ownership
- Private
- Street Address
- 5070 Canada Way
- Street View URL
- Google Maps Street View
Images
Duncan & Margaret McGregor Estate 'Glen-Lyon' New Haven Barn
https://search.heritageburnaby.ca/link/landmark852
- Repository
- Burnaby Heritage Planning
- Description
- Designed in a vernacular architectural style, the New Haven Barn is a large gambrel-roofed barn located on the Edwardian era McGregor Estate 'Glen-Lyon,' overlooking the rich farmland of the Fraser River floodplain and near a ravine and forested area adjacent to Marine Drive in South Burnaby.
- Associated Dates
- 1939
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Other Names
- Home of the Friendless, New Haven Borstal Home for Boys and Youthful Offenders, New Haven Correction Centre
- Street View URL
- Google Maps Street View
- Repository
- Burnaby Heritage Planning
- Other Names
- Home of the Friendless, New Haven Borstal Home for Boys and Youthful Offenders, New Haven Correction Centre
- Geographic Access
- Marine Drive
- Associated Dates
- 1939
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Enactment Type
- Bylaw No. 12183
- Enactment Date
- 11/12/2006
- Description
- Designed in a vernacular architectural style, the New Haven Barn is a large gambrel-roofed barn located on the Edwardian era McGregor Estate 'Glen-Lyon,' overlooking the rich farmland of the Fraser River floodplain and near a ravine and forested area adjacent to Marine Drive in South Burnaby.
- Heritage Value
- The site is historically significant for its association with early social welfare and correctional reform. The estate was sold in 1926 to an inter-denominational religious organization called the Home of the Friendless, which used it as their B.C. headquarters. The organization was charged with several cases of abuse and neglect in 1937, after which a Royal Commission was formed that led to new legislation to regulate and license all private welfare institutions. 'Glen-Lyon' was sold to the provincial government, and was dedicated in 1939 by the Lt.-Gov. E.W. Hamber for use as the New Haven Borstal Home for Boys and Youthful Offenders (later renamed the New Haven Correction Centre). The Borstal movement originated in England in the late nineteenth century, as an alternative to sending young offenders and runaways to prisons by providing reformatories that focused on discipline and vocational skill. This site’s role as the first North American institution devoted to the Borstal School philosophy was historic, and influenced corrections programs across Canada. The New Haven Barn is a significant feature from its development in 1939 as the Borstal School, designed by Chief Provincial Architect Henry Whittaker of the Department of Public Works, and is the only remaining structure of its kind in Burnaby.
- Defining Elements
- Key elements that define the heritage character of the New Haven Barn include its: - gambrel-roofed barn with roof vent with finial, sliding hay loft and access doors, small multi-pane windows, and lapped wooden siding
- Historic Neighbourhood
- Fraser Arm (Historic Neighbourhood)
- Planning Study Area
- Big Bend Area
- Architect
- Henry Whittaker
- Function
- Primary Historic--Estate
- Community
- Burnaby
- Cadastral Identifier
- 003-004-661
- Boundaries
- 'Glen-Lyon' is comprised of a single residential lot located at 4250 Marine Drive, Burnaby.
- Area
- 230873.18
- Contributing Resource
- Building
- Ownership
- Private
- Names
- Whittaker, George
- New Haven Borstal Home for Boys and Youthful Offenders
- New Haven Correction Centre
- Borstal School
- Street Address
- 4250 Marine Drive
- Street View URL
- Google Maps Street View
Images
Jubilee Grove Arch
https://search.heritageburnaby.ca/link/landmark533
- Repository
- Burnaby Heritage Planning
- Description
- The Jubilee Grove Arch sits at the corner of Kingsway and Patterson Avenue. Located within Central Park, the ceremonial arch and its decorative plantings provide a visual anchor to the northeast corner and entry point to the park.
- Associated Dates
- 1939
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Street View URL
- Google Maps Street View
- Repository
- Burnaby Heritage Planning
- Geographic Access
- Imperial Street
- Associated Dates
- 1939
- Formal Recognition
- Heritage Designation, Community Heritage Register
- Enactment Type
- Bylaw No. 9807
- Enactment Date
- 23/11/1992
- Description
- The Jubilee Grove Arch sits at the corner of Kingsway and Patterson Avenue. Located within Central Park, the ceremonial arch and its decorative plantings provide a visual anchor to the northeast corner and entry point to the park.
- Heritage Value
- Jubilee Grove Arch was dedicated as part of the municipality’s celebration of the Jubilee of the coronation of King George V and was dedicated during Burnaby’s annual May Day celebrations in 1935. Much of the construction work was carried out by local citizens under the direction of the Burnaby Engineering Department through a Depression era work relief program that provided a way for local residents to pay their taxes. The garden was also chosen as the site for the ceremonial planting of an oak tree from the Royal Forest at Windsor, in honor of the Coronation of King George VI and Queen Elizabeth in 1937. The original bronze garden dedication plaque and oak tree remain at the site today. The decorative stone arch was erected in 1939 as a symbol of Burnaby's, and the Lower Mainland of British Columbia’s, strong ties to the English monarchy at the time, and the arch’s unveiling during May Day ceremonies shows the social role that such a commemorative feature played both to the local government and people of Burnaby. It was erected just prior to the Royal Visit of 1939, the first time that reigning British monarchs had travelled to Canada. Built of Haddington Island sandstone, the arch itself was reconstructed from a salvaged architectural element of a historic Vancouver landmark. The arch originally framed the entrance door to the Vancouver Club building in Vancouver, built in 1893-94 on West Hastings Street and designed by architect C.O. Wickenden. The building was demolished in 1930, however the arch was stored and rebuilt as the focal point of the Jubilee Grove after being bought by the Municipality of Burnaby. The work was undertaken by Italian-born stone mason Rizieri Stefanini (1879-1954), the owner of Burnaby Monumental Works. The re-use of the arch symbolizes the close tie between Vancouver and Burnaby and the joint evolution of the neighbouring cities.
- Defining Elements
- The Jubilee Grove Arch has character-defining elements that recognize it both as a remnant of a past building and as a new and individual structure. These include its: - axial diagonal placement and prominent corner location marking one of the entries to Central Park - visibility and accessibility as a public monument - hand carved stone blocks of Haddington Island sandstone - decorative twisted-rope motif carved to outline the arch - supporting rusticated sidewalls with planting urns - original bronze dedication plaque - flanking ornamental gardens - Royal Oak tree and plaque
- Historic Neighbourhood
- Central Park (Historic Neighbourhood)
- Planning Study Area
- Maywood Area
- Organization
- City of Burnaby
- Architect
- C.O. Wickenden
- Function
- Primary Current--Park Fixture
- Primary Historic--Park Fixture
- Community
- Burnaby
- Cadastral Identifier
- P.I.D. No. 017-767-172 Legal Description: Block B of Lot 2 Except Firstly: Part on Plan 8669 and Secondly: Part on Plan LMP4689 District Lot 151, Group 1, New Westminster District, Plan 3443
- Boundaries
- The property (Central Park) is a municipally-owned park that lies at the western edge of Burnaby, between 49th Avenue to the south, Kingsway to the north, Boundary Road to the west and Patterson Avenue to the east.
- Area
- 853,403.82
- Contributing Resource
- Structure
- Landscape Feature
- Ownership
- Public (local)
- Documentation
- Heritage Site Files: PC77000 20. City of Burnaby Planning and Building Department, 4949 Canada Way, Burnaby, B.C., V5G 1M2
- Names
- Burnaby Monumental Works
- Street Address
- 3883 Imperial Street
- Street View URL
- Google Maps Street View
Images
Lake City Neighbourhood
https://search.heritageburnaby.ca/link/landmark702
- Repository
- Burnaby Heritage Planning
- Associated Dates
- 1925-1954
- Heritage Value
- When the Lake City Industrial Park first opened in the 1950's, it was a fairly isolated industrial enclave with convenient access to rail and road transportation routes. The sense of entrepreneurial flare and success that was anticipated for the area is evident in the naming of local streets which include "Production", "Enterprise" and "Venture". The anticipated potential of the area was also demonstrated by the inclusion of many significant development amenities of the time, such as paved streets, site landscaping, rail service, natural gas service, and architectural controls.
- Planning Study Area
- Lake City Area
Images
Ocean View Burial Park - Chapel
https://search.heritageburnaby.ca/link/landmark628
- Repository
- Burnaby Heritage Planning
- Geographic Access
- Imperial Street
- Associated Dates
- 1936
- Description
- Church building.
- Heritage Value
- Subsequent work at Ocean View was designed by local architects Sharp & Thompson through the 1950s, including the stone-faced Garden Chapel, built in 1936 as a replica of a Norman church. Prominent stone gates also replaced the original gates at the corner entrance. George Sharp (1880-1974) and Charles Thompson (1878-1961) formed Vancouver’s longest surviving architectural firm in 1908. They were born, educated and articled in London, before arriving in Vancouver via different routes. In 1912, the firm won the competition for the new University of British Columbia.
- Locality
- Alta Vista
- Historic Neighbourhood
- Alta Vista (Historic Neighbourhood)
- Planning Study Area
- Suncrest Area
- Architect
- Sharp & Thompson
- Area
- 359280.00
- Contributing Resource
- Building
- Ownership
- Private
- Street Address
- 4000 Imperial Street
Images
Baldwin family subseries
https://search.heritageburnaby.ca/link/archivedescription65666
- Repository
- City of Burnaby Archives
- Date
- 1964-2002
- Collection/Fonds
- Burnaby Historical Society fonds
- Description Level
- Subseries
- Physical Description
- Textual records and photographs
- Scope and Content
- Subseries consist of records pertaining to the Baldwin family home. Included in the fonds are newspaper clippings, magazine articles, and photographs of the house taken by Basil King.
- Repository
- City of Burnaby Archives
- Date
- 1964-2002
- Collection/Fonds
- Burnaby Historical Society fonds
- Subseries
- Baldwin family subseries
- Physical Description
- Textual records and photographs
- Description Level
- Subseries
- Accession Number
- BHS1998-03
- Scope and Content
- Subseries consist of records pertaining to the Baldwin family home. Included in the fonds are newspaper clippings, magazine articles, and photographs of the house taken by Basil King.
- History
- In 1959 Dr. William "Bill" Baldwin (d. 1987) and his wife Ruth (d. 2009) bought a cottage and approximately two and a half acres of land on the shores of Deer Lake for $16,000. The cottage and land had been owned by one of Dr. Baldwin’s colleagues at Burnaby Hospital. The couple lived in the cottage with their two young children John (b.1958) and Susan (b.1959) for a few years before deciding to renovate and expand their home. William was close friends with Arthur Erickson, the two having gone to Prince of Wales High School and McGill University together. Ruth decided that they needed a lakeshore home rather than a renovation on their cottage and Arthur Erickson would be the man to design it. Local builder Torstein Kravik completed the house in 1965. The home is considered an early example of Erickson’s design aesthetic, demonstrating his vision of "site, light and cadence." It is thought to be the best example of West Coast contemporary architecture in Burnaby. In 2001, at the age of seventy-eight, Ruth approached the City of Burnaby about buying the property,on the condition that the house be protected and that Ruth could continue to rent the home. The City purchased it and gave it Heritage designation. As of 2010, the Baldwin home and garden is on lease to The Land Conservancy of BC (TLC) to serve as a “guest house.” It is available for lease to local residents and visitors for overnight stays.
- Media Type
- Photograph
- Textual Record
- Creator
- Baldwin, Ruth
- Notes
- Title based on contents of subseries
- Photo catalogue 357, MSS145
Burnaby Art Gallery subseries
https://search.heritageburnaby.ca/link/archivedescription14
- Repository
- City of Burnaby Archives
- Date
- 1890 (date of original)-1983
- Collection/Fonds
- Burnaby Historical Society fonds
- Description Level
- Subseries
- Physical Description
- Photographs and textual records
- Scope and Content
- Subseries consists of photographs of and publications related to the Burnaby Art Gallery and Fairacres property.
- Repository
- City of Burnaby Archives
- Date
- 1890 (date of original)-1983
- Collection/Fonds
- Burnaby Historical Society fonds
- Subseries
- Burnaby Art Gallery subseries
- Physical Description
- Photographs and textual records
- Description Level
- Subseries
- Accession Number
- BHS1996-12
- BHS1990-05
- Scope and Content
- Subseries consists of photographs of and publications related to the Burnaby Art Gallery and Fairacres property.
- History
- The Burnaby Art Gallery association was founded in 1967. The purpose of the association was to present a historical and contemporary art program by local, regional, national, and international artists; facilitate the development of emerging artists; provide diverse art educational programming; acquire culturally significant works on paper. The City of Burnaby assumed management of the gallery, its collection, staff and governance in 1998, with the art gallery then taking on the added responsibility of caring for and managing the City of Burnaby’s permanent art collection. The Gallery, along with the Shadbolt Centre for the Arts and the Burnaby Village Museum in Deer Lake Park, are part of the Parks, Recreation and Cultural Services Department of the City of Burnaby. The Burnaby Art Gallery is located inside the historic Ceperley House, built by Henry and Grace Ceperley. The couple purchased a strawbery farm on the north shore of Deer Lake from George Clayton in 1909 and built their home, also known as "Fairacres", on the property in 1911. The house was designed by the English architect, R.P.S. Twizell and with its river rock veranda, beautiful hand-crafted woodwork, stained-glass and tile, remains one of the finest examples of Edwardian architecture in the Lower Mainland. Grace and Hentry Ceperley had one daughter named Ethelwyn who married James Edward Hall. Ethelwyn and James Edward Hall had three children: Edith Ceperley, James Edward "Junior," and Florence Renn. In 1917, Grace Ceperley died and left Fairacres to her husband with the stipulation that when the home was sold the proceeds would be used to build a playground for the children of Vancouver in Stanley Park. In 1939, the local Catholic Diocese funded a group of five Benedictine monks from Mount Angel, Oregon to establish a priory in the province. The monks purchased the Ceperley House for their monastery. They also built a large gymnasium on the property. After serving as a monastery, the house was used as a fraternity for some of the first students attending Simon Fraser University, and then became home to the art gallery in the 1960s. The City of Burnaby acquired the property in 1966 and the house was designated a heritage building in 1992. In 1998 the City began restoring exterior of the house and upgraded the building for improved public use. The renovations were completed in 2000, and transformed the house back to its appearance of 1911. The gymnasium built by the Benedictine monks was converted into into the James Cowan Theatre. There are two main galleries, a lounge gallery with a fireplace and easy chairs and The Shopping Bag, a gallery shop run by volunteers. The goals of the gallery are to: provide access to contemporary Canadian art, present works from the permanent collection; collect contemporary works on paper; and offer challenging and educational exhibition related programming.
- Media Type
- Textual Record
- Photograph
- Creator
- Burnaby Art Gallery
- Notes
- Title based on contents of subseries
- PC241, PC242, MSS066
Interview with Alekxos Sarter by Kathy Bossort October 16, 2015 - Track 2
https://search.heritageburnaby.ca/link/oralhistory578
- Repository
- City of Burnaby Archives
- Date Range
- 1958-1992
- Length
- 0:12:40
- Summary
- This portion of the interview is about Alekxos Sarter’s first years of employment with Parks, her sources of knowledge about Burnaby Mountain, and the department’s activities in Burnaby Mountain Park. She talks about the loop trail planned for Burnaby Mountain Park in 1958, the Trans Canada Trail p…
- Repository
- City of Burnaby Archives
- Summary
- This portion of the interview is about Alekxos Sarter’s first years of employment with Parks, her sources of knowledge about Burnaby Mountain, and the department’s activities in Burnaby Mountain Park. She talks about the loop trail planned for Burnaby Mountain Park in 1958, the Trans Canada Trail project, events and issues at the Pavilion, and keeping track of trails on SFU lands.
- Date Range
- 1958-1992
- Length
- 0:12:40
- Names
- Burnaby Parks, Recreation and Cultural Services Department
- Burnaby Mountain Park
- Kamui Mintara
- Trans Canada Trail
- Geographic Access
- Burnaby Mountain Conservation Area
- Interviewer
- Bossort, Kathy
- Interview Date
- October 16, 2015
- Scope and Content
- Recording is of an interview with Alekxos Sarter conducted by Kathy Bossort. Alekxos Sarter was one of 23 participants interviewed as part of the Community Heritage Commission’s Burnaby Mountain Oral History Project. The interview is mainly about the history of setting aside parkland on Burnaby Mountain from Alekxos Sarter’s perspective and experience as employee in the City of Burnaby Parks, Recreation and Cultural Services. The interview provides an excellent explanation of the history and function of kinds of park dedications used by the City of Burnaby; an overview of issues around including the Trans Mountain tank farm in the conservation area; and the background to the land use and ownership disagreement between the City of Burnaby and Simon Fraser University, its resolution, and the subsequent development of SFU’s UniverCity. Alekxos Sarter talks about Richard Bolton, Burnaby’s Acting-Commissioner who was responsible for dedicating the first park on Burnaby Mountain in 1942, and the creation of a park named after him in UniverCity.
- Biographical Notes
- Alekxos Sarter was born in Vancouver in 1961, to Daine and Kasandra Sarter. She grew up in North Vancouver and since 1994 has lived on a sailboat in False Creek. After attending UBC where she studied landscape architecture, she was hired by the City of Burnaby Parks, Recreation and Cultural Services in 1986. Working first in parks design, Alekxos quickly moved into parks planning, her preferred career. As Research Officer she covers research, planning, public consultation, parks and facility inventory, parkland acquisition, among other duties.
- Total Tracks
- 9
- Total Length
- 2:20:47
- Interviewee Name
- Sarter, Alekxos T.
- Interview Location
- City of Burnaby Parks, Recreation and Cultural Services meeting room
- Interviewer Bio
- Kathy Bossort is a retired archivist living in Ladner, BC. She worked at the Delta Museum and Archives after graduating from SLAIS (UBC) in 2001 with Masters degrees in library science and archival studies. Kathy grew up in Calgary, Alberta, and, prior to this career change, she lived in the West Kootenays, earning her living as a cook for BC tourist lodges and work camps. She continues to be interested in oral histories as a way to fill the gaps in the written record and bring richer meaning to history.
- Collection/Fonds
- Community Heritage Commission Special Projects fonds
- Media Type
- Sound Recording
Audio Tracks
Track two of interview with Alekxos Sarter
Track two of interview with Alekxos Sarter
https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS196-005/MSS196-005_Track_2.mp3Interview with Alekxos Sarter by Kathy Bossort October 16, 2015 - Track 3
https://search.heritageburnaby.ca/link/oralhistory579
- Repository
- City of Burnaby Archives
- Date Range
- 1910-1960
- Length
- 0:21:54
- Summary
- This portion of the interview is about Alekxos Sarter’s historical overview of early public recreation, and intentions to set aside parkland, on Burnaby Mountain; Acting-Commissioner Richard Bolton’s signing of By Law 1772 that created Barnet Mountain Park in 1942; and her explanation about the fun…
- Repository
- City of Burnaby Archives
- Summary
- This portion of the interview is about Alekxos Sarter’s historical overview of early public recreation, and intentions to set aside parkland, on Burnaby Mountain; Acting-Commissioner Richard Bolton’s signing of By Law 1772 that created Barnet Mountain Park in 1942; and her explanation about the function and kinds of park dedications used in Burnaby.
- Date Range
- 1910-1960
- Length
- 0:21:54
- Geographic Access
- Burnaby Mountain Conservation Area
- Interviewer
- Bossort, Kathy
- Interview Date
- October 16, 2015
- Scope and Content
- Recording is of an interview with Alekxos Sarter conducted by Kathy Bossort. Alekxos Sarter was one of 23 participants interviewed as part of the Community Heritage Commission’s Burnaby Mountain Oral History Project. The interview is mainly about the history of setting aside parkland on Burnaby Mountain from Alekxos Sarter’s perspective and experience as employee in the City of Burnaby Parks, Recreation and Cultural Services. The interview provides an excellent explanation of the history and function of kinds of park dedications used by the City of Burnaby; an overview of issues around including the Trans Mountain tank farm in the conservation area; and the background to the land use and ownership disagreement between the City of Burnaby and Simon Fraser University, its resolution, and the subsequent development of SFU’s UniverCity. Alekxos Sarter talks about Richard Bolton, Burnaby’s Acting-Commissioner who was responsible for dedicating the first park on Burnaby Mountain in 1942, and the creation of a park named after him in UniverCity.
- Biographical Notes
- Alekxos Sarter was born in Vancouver in 1961, to Daine and Kasandra Sarter. She grew up in North Vancouver and since 1994 has lived on a sailboat in False Creek. After attending UBC where she studied landscape architecture, she was hired by the City of Burnaby Parks, Recreation and Cultural Services in 1986. Working first in parks design, Alekxos quickly moved into parks planning, her preferred career. As Research Officer she covers research, planning, public consultation, parks and facility inventory, parkland acquisition, among other duties.
- Total Tracks
- 9
- Total Length
- 2:20:47
- Interviewee Name
- Sarter, Alekxos T.
- Interview Location
- City of Burnaby Parks, Recreation and Cultural Services meeting room
- Interviewer Bio
- Kathy Bossort is a retired archivist living in Ladner, BC. She worked at the Delta Museum and Archives after graduating from SLAIS (UBC) in 2001 with Masters degrees in library science and archival studies. Kathy grew up in Calgary, Alberta, and, prior to this career change, she lived in the West Kootenays, earning her living as a cook for BC tourist lodges and work camps. She continues to be interested in oral histories as a way to fill the gaps in the written record and bring richer meaning to history.
- Collection/Fonds
- Community Heritage Commission Special Projects fonds
- Media Type
- Sound Recording
Audio Tracks
Track three of interview with Alekxos Sarter
Track three of interview with Alekxos Sarter
https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS196-005/MSS196-005_Track_3.mp3Interview with Alekxos Sarter by Kathy Bossort October 16, 2015 - Track 4
https://search.heritageburnaby.ca/link/oralhistory580
- Repository
- City of Burnaby Archives
- Date Range
- 1942-2015
- Length
- 0:13:21
- Summary
- This portion of the interview is about Alekxos Sarter’s overview of the history of the Trans Mountain tank farm site on Burnaby Mountain, the delineation of the first conservation area on the mountain in 1974, and the reasons for inclusion of the tank farm in the conservation area. She also talks a…
- Repository
- City of Burnaby Archives
- Summary
- This portion of the interview is about Alekxos Sarter’s overview of the history of the Trans Mountain tank farm site on Burnaby Mountain, the delineation of the first conservation area on the mountain in 1974, and the reasons for inclusion of the tank farm in the conservation area. She also talks about Suncor’s site and its inclusion in the conservation area.
- Date Range
- 1942-2015
- Length
- 0:13:21
- Geographic Access
- Burnaby Mountain Conservation Area
- Interviewer
- Bossort, Kathy
- Interview Date
- October 16, 2015
- Scope and Content
- Recording is of an interview with Alekxos Sarter conducted by Kathy Bossort. Alekxos Sarter was one of 23 participants interviewed as part of the Community Heritage Commission’s Burnaby Mountain Oral History Project. The interview is mainly about the history of setting aside parkland on Burnaby Mountain from Alekxos Sarter’s perspective and experience as employee in the City of Burnaby Parks, Recreation and Cultural Services. The interview provides an excellent explanation of the history and function of kinds of park dedications used by the City of Burnaby; an overview of issues around including the Trans Mountain tank farm in the conservation area; and the background to the land use and ownership disagreement between the City of Burnaby and Simon Fraser University, its resolution, and the subsequent development of SFU’s UniverCity. Alekxos Sarter talks about Richard Bolton, Burnaby’s Acting-Commissioner who was responsible for dedicating the first park on Burnaby Mountain in 1942, and the creation of a park named after him in UniverCity.
- Biographical Notes
- Alekxos Sarter was born in Vancouver in 1961, to Daine and Kasandra Sarter. She grew up in North Vancouver and since 1994 has lived on a sailboat in False Creek. After attending UBC where she studied landscape architecture, she was hired by the City of Burnaby Parks, Recreation and Cultural Services in 1986. Working first in parks design, Alekxos quickly moved into parks planning, her preferred career. As Research Officer she covers research, planning, public consultation, parks and facility inventory, parkland acquisition, among other duties.
- Total Tracks
- 9
- Total Length
- 2:20:47
- Interviewee Name
- Sarter, Alekxos T.
- Interview Location
- City of Burnaby Parks, Recreation and Cultural Services meeting room
- Interviewer Bio
- Kathy Bossort is a retired archivist living in Ladner, BC. She worked at the Delta Museum and Archives after graduating from SLAIS (UBC) in 2001 with Masters degrees in library science and archival studies. Kathy grew up in Calgary, Alberta, and, prior to this career change, she lived in the West Kootenays, earning her living as a cook for BC tourist lodges and work camps. She continues to be interested in oral histories as a way to fill the gaps in the written record and bring richer meaning to history.
- Collection/Fonds
- Community Heritage Commission Special Projects fonds
- Media Type
- Sound Recording
Audio Tracks
Track four of interview with Alekxos Sarter
Track four of interview with Alekxos Sarter
https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS196-005/MSS196-005_Track_4.mp3Interview with Alekxos Sarter by Kathy Bossort October 16, 2015 - Track 6
https://search.heritageburnaby.ca/link/oralhistory582
- Repository
- City of Burnaby Archives
- Date Range
- 1950-2015
- Length
- 0:22:57
- Summary
- This portion of the interview is about Alekxos Sarter’s views on the pressures on the Burnaby Mountain Conservation Area from the SFU community and utility corridors; managing the edges of the conservation area on Barnet Highway; the history of the Burnaby Mountain Parkway; and a further explanatio…
- Repository
- City of Burnaby Archives
- Summary
- This portion of the interview is about Alekxos Sarter’s views on the pressures on the Burnaby Mountain Conservation Area from the SFU community and utility corridors; managing the edges of the conservation area on Barnet Highway; the history of the Burnaby Mountain Parkway; and a further explanation about kinds of park dedications, the origin of the covenant , and the protection status each provides. Also explained are the terms of the 1995 Memorandum of Understanding between the City of Burnaby and SFU.
- Date Range
- 1950-2015
- Length
- 0:22:57
- Subjects
- Geographic Features - Parks
- Planning
- Geographic Access
- Burnaby Mountain Conservation Area
- Burnaby Mountain Parkway
- Interviewer
- Bossort, Kathy
- Interview Date
- October 16, 2015
- Scope and Content
- Recording is of an interview with Alekxos Sarter conducted by Kathy Bossort. Alekxos Sarter was one of 23 participants interviewed as part of the Community Heritage Commission’s Burnaby Mountain Oral History Project. The interview is mainly about the history of setting aside parkland on Burnaby Mountain from Alekxos Sarter’s perspective and experience as employee in the City of Burnaby Parks, Recreation and Cultural Services. The interview provides an excellent explanation of the history and function of kinds of park dedications used by the City of Burnaby; an overview of issues around including the Trans Mountain tank farm in the conservation area; and the background to the land use and ownership disagreement between the City of Burnaby and Simon Fraser University, its resolution, and the subsequent development of SFU’s UniverCity. Alekxos Sarter talks about Richard Bolton, Burnaby’s Acting-Commissioner who was responsible for dedicating the first park on Burnaby Mountain in 1942, and the creation of a park named after him in UniverCity.
- Biographical Notes
- Alekxos Sarter was born in Vancouver in 1961, to Daine and Kasandra Sarter. She grew up in North Vancouver and since 1994 has lived on a sailboat in False Creek. After attending UBC where she studied landscape architecture, she was hired by the City of Burnaby Parks, Recreation and Cultural Services in 1986. Working first in parks design, Alekxos quickly moved into parks planning, her preferred career. As Research Officer she covers research, planning, public consultation, parks and facility inventory, parkland acquisition, among other duties.
- Total Tracks
- 9
- Total Length
- 2:20:47
- Interviewee Name
- Sarter, Alekxos T.
- Interview Location
- City of Burnaby Parks, Recreation and Cultural Services meeting room
- Interviewer Bio
- Kathy Bossort is a retired archivist living in Ladner, BC. She worked at the Delta Museum and Archives after graduating from SLAIS (UBC) in 2001 with Masters degrees in library science and archival studies. Kathy grew up in Calgary, Alberta, and, prior to this career change, she lived in the West Kootenays, earning her living as a cook for BC tourist lodges and work camps. She continues to be interested in oral histories as a way to fill the gaps in the written record and bring richer meaning to history.
- Collection/Fonds
- Community Heritage Commission Special Projects fonds
- Media Type
- Sound Recording
Audio Tracks
Track six of interview with Alekxos Sarter
Track six of interview with Alekxos Sarter
https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS196-005/MSS196-005_Track_6.mp3Interview with Alekxos Sarter by Kathy Bossort October 16, 2015 - Track 7
https://search.heritageburnaby.ca/link/oralhistory583
- Repository
- City of Burnaby Archives
- Date Range
- 1963-2015
- Length
- 0:13:39
- Summary
- This portion of the interview is about Alekxos Sarter’s views on the origin and subsequent development and resolution of the dispute between SFU and the City of Burnaby over land ownership and land use on Burnaby Mountain.
- Repository
- City of Burnaby Archives
- Summary
- This portion of the interview is about Alekxos Sarter’s views on the origin and subsequent development and resolution of the dispute between SFU and the City of Burnaby over land ownership and land use on Burnaby Mountain.
- Date Range
- 1963-2015
- Length
- 0:13:39
- Names
- Simon Fraser University
- Subjects
- Geographic Features - Parks
- Government
- Land
- Geographic Access
- Burnaby Mountain Conservation Area
- Interviewer
- Bossort, Kathy
- Interview Date
- October 16, 2015
- Scope and Content
- Recording is of an interview with Alekxos Sarter conducted by Kathy Bossort. Alekxos Sarter was one of 23 participants interviewed as part of the Community Heritage Commission’s Burnaby Mountain Oral History Project. The interview is mainly about the history of setting aside parkland on Burnaby Mountain from Alekxos Sarter’s perspective and experience as employee in the City of Burnaby Parks, Recreation and Cultural Services. The interview provides an excellent explanation of the history and function of kinds of park dedications used by the City of Burnaby; an overview of issues around including the Trans Mountain tank farm in the conservation area; and the background to the land use and ownership disagreement between the City of Burnaby and Simon Fraser University, its resolution, and the subsequent development of SFU’s UniverCity. Alekxos Sarter talks about Richard Bolton, Burnaby’s Acting-Commissioner who was responsible for dedicating the first park on Burnaby Mountain in 1942, and the creation of a park named after him in UniverCity.
- Biographical Notes
- Alekxos Sarter was born in Vancouver in 1961, to Daine and Kasandra Sarter. She grew up in North Vancouver and since 1994 has lived on a sailboat in False Creek. After attending UBC where she studied landscape architecture, she was hired by the City of Burnaby Parks, Recreation and Cultural Services in 1986. Working first in parks design, Alekxos quickly moved into parks planning, her preferred career. As Research Officer she covers research, planning, public consultation, parks and facility inventory, parkland acquisition, among other duties.
- Total Tracks
- 9
- Total Length
- 2:20:47
- Interviewee Name
- Sarter, Alekxos T.
- Interview Location
- City of Burnaby Parks, Recreation and Cultural Services meeting room
- Interviewer Bio
- Kathy Bossort is a retired archivist living in Ladner, BC. She worked at the Delta Museum and Archives after graduating from SLAIS (UBC) in 2001 with Masters degrees in library science and archival studies. Kathy grew up in Calgary, Alberta, and, prior to this career change, she lived in the West Kootenays, earning her living as a cook for BC tourist lodges and work camps. She continues to be interested in oral histories as a way to fill the gaps in the written record and bring richer meaning to history.
- Collection/Fonds
- Community Heritage Commission Special Projects fonds
- Media Type
- Sound Recording
Audio Tracks
Track seven of interview with Alekxos Sarter
Track seven of interview with Alekxos Sarter
https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS196-005/MSS196-005_Track_7.mp3Interview with Edith Wight July 21, 1975 - Track 4
https://search.heritageburnaby.ca/link/oralhistory141
- Repository
- City of Burnaby Archives
- Date Range
- 1930-1932
- Length
- 0:09:48
- Summary
- This portion of the interview pertains to Edith Mary (Hall) Wight's memories of the first years of the Interior Design studio that she began with her husband and a former client.
- Repository
- City of Burnaby Archives
- Summary
- This portion of the interview pertains to Edith Mary (Hall) Wight's memories of the first years of the Interior Design studio that she began with her husband and a former client.
- Date Range
- 1930-1932
- Length
- 0:09:48
- Interviewer
- McLeod, Ross S.
- Interview Date
- July 21, 1975
- Scope and Content
- Recording is of an interview with Edith Mary (Hall) Wight by Ross S. McLeod, July 21, 1975 at Edith's home on McKay Avenue, Burnaby. Major themes discussed are: the Depression and working outside the home. To view "Narrow By" terms for each track expand this description and see "Notes".
- Biographical Notes
- Edith Mary (Hall) Wight arrived in Burnaby in September of 1920 from England, a self-described war bride. Her mother, Fanny (Carnelly) was an accomplished seamstress and her father, Robert Hall a hobbyist painter and carpenter. Edith and her husband Gordon Edward Wight lived at 420 McKay (later renumbered 6060 McKay) throughout their married lives. Within a year of moving to Burnaby, Edith got her first job sewing bedspreads for a large company, launching her career as an interior designer. She also started making dresses on commission. Gordon had a job at a fertilizer plant, which included delivering fruit trees and fertilizer door to door. He would often suggest new curtains or other material goods to the householders he visited, generating clients for Edith. Edith opened an Interior Design studio at South Granville in the first week of September, 1930 with her husband Gordon and Mrs. Ferguson, a previous client who ran a gift shop at the Georgia Hotel. Unfortunately, in 1932 Mrs. Ferguson became ill and was never to return to the studio. Edith and Gordon had two children; Clifford “Cliff” Wight born August 22, 1921 and Eulie Fanny Wight born in 1925. Clifford attended Kingsway West School in 1925 and was a graduate of Burnaby South High School. Eulie Fanny Wight graduated with a Bachelor of Arts from the University of British Columbia in 1957. Clifford also graduated from the University of British Columbia and was among the handful of students who first established the School of Architecture at UBC. Clifford later married Mary (Berryman) Wight. Gordon Edward Wight died July 30, 1945, his wife Edith Mary (Hall) Wight died November 11, 1986. Eulie Fanny Wight died June 19, 1998. Clifford Wight died February 27, 2005.
- Total Tracks
- 8
- Total Length
- 1:07:46
- Interviewee Name
- Wight, Edith
- Interview Location
- McKay Avenue, Burnaby
- Collection/Fonds
- Burnaby Historical Society fonds
- Subseries
- Oral history subseries
- Media Type
- Sound Recording
- Web Notes
- Interview was digitized in 2010 allowing it to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council and the BC History Digitization Program of the Irving K. Barber Learning Centre, University of British Columbia. It was recognized by the Heritage Society of BC with an award in 2012.
Audio Tracks
Track four of interview with Edith Wight
Track four of interview with Edith Wight
https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/100-13-23/100-13-23_Track_4.mp3Interview with Edith Wight July 21, 1975 - Track 5
https://search.heritageburnaby.ca/link/oralhistory142
- Repository
- City of Burnaby Archives
- Date Range
- 1932-1934
- Length
- 0:10:03
- Summary
- This portion of the interview pertains to Edith Mary (Hall) Wight's memories of the most difficult of the interior design studio that she began with her husband and a former client and what it took to get them on solid footing financially.
- Repository
- City of Burnaby Archives
- Summary
- This portion of the interview pertains to Edith Mary (Hall) Wight's memories of the most difficult of the interior design studio that she began with her husband and a former client and what it took to get them on solid footing financially.
- Date Range
- 1932-1934
- Length
- 0:10:03
- Interviewer
- McLeod, Ross S.
- Interview Date
- July 21, 1975
- Scope and Content
- Recording is of an interview with Edith Mary (Hall) Wight by Ross S. McLeod, July 21, 1975 at Edith's home on McKay Avenue, Burnaby. Major themes discussed are: the Depression and working outside the home. To view "Narrow By" terms for each track expand this description and see "Notes".
- Biographical Notes
- Edith Mary (Hall) Wight arrived in Burnaby in September of 1920 from England, a self-described war bride. Her mother, Fanny (Carnelly) was an accomplished seamstress and her father, Robert Hall a hobbyist painter and carpenter. Edith and her husband Gordon Edward Wight lived at 420 McKay (later renumbered 6060 McKay) throughout their married lives. Within a year of moving to Burnaby, Edith got her first job sewing bedspreads for a large company, launching her career as an interior designer. She also started making dresses on commission. Gordon had a job at a fertilizer plant, which included delivering fruit trees and fertilizer door to door. He would often suggest new curtains or other material goods to the householders he visited, generating clients for Edith. Edith opened an Interior Design studio at South Granville in the first week of September, 1930 with her husband Gordon and Mrs. Ferguson, a previous client who ran a gift shop at the Georgia Hotel. Unfortunately, in 1932 Mrs. Ferguson became ill and was never to return to the studio. Edith and Gordon had two children; Clifford “Cliff” Wight born August 22, 1921 and Eulie Fanny Wight born in 1925. Clifford attended Kingsway West School in 1925 and was a graduate of Burnaby South High School. Eulie Fanny Wight graduated with a Bachelor of Arts from the University of British Columbia in 1957. Clifford also graduated from the University of British Columbia and was among the handful of students who first established the School of Architecture at UBC. Clifford later married Mary (Berryman) Wight. Gordon Edward Wight died July 30, 1945, his wife Edith Mary (Hall) Wight died November 11, 1986. Eulie Fanny Wight died June 19, 1998. Clifford Wight died February 27, 2005.
- Total Tracks
- 8
- Total Length
- 1:07:46
- Interviewee Name
- Wight, Edith
- Interview Location
- McKay Avenue, Burnaby
- Collection/Fonds
- Burnaby Historical Society fonds
- Subseries
- Oral history subseries
- Media Type
- Sound Recording
- Web Notes
- Interview was digitized in 2010 allowing it to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council and the BC History Digitization Program of the Irving K. Barber Learning Centre, University of British Columbia. It was recognized by the Heritage Society of BC with an award in 2012.
Audio Tracks
Track five of interview with Edith Wight
Track five of interview with Edith Wight
https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/100-13-23/100-13-23_Track_5.mp3Interview with Edith Wight July 21, 1975 - Track 6
https://search.heritageburnaby.ca/link/oralhistory143
- Repository
- City of Burnaby Archives
- Date Range
- 1936-1938
- Length
- 0:05:14
- Summary
- This portion of the interview pertains to Edith Mary (Hall) Wight's personal memories of house repairs taken on during the 1930s.
- Repository
- City of Burnaby Archives
- Summary
- This portion of the interview pertains to Edith Mary (Hall) Wight's personal memories of house repairs taken on during the 1930s.
- Date Range
- 1936-1938
- Length
- 0:05:14
- Geographic Access
- McKay Avenue
- Historic Neighbourhood
- Central Park (Historic Neighbourhood)
- Interviewer
- McLeod, Ross S.
- Interview Date
- July 21, 1975
- Scope and Content
- Recording is of an interview with Edith Mary (Hall) Wight by Ross S. McLeod, July 21, 1975 at Edith's home on McKay Avenue, Burnaby. Major themes discussed are: the Depression and working outside the home. To view "Narrow By" terms for each track expand this description and see "Notes".
- Biographical Notes
- Edith Mary (Hall) Wight arrived in Burnaby in September of 1920 from England, a self-described war bride. Her mother, Fanny (Carnelly) was an accomplished seamstress and her father, Robert Hall a hobbyist painter and carpenter. Edith and her husband Gordon Edward Wight lived at 420 McKay (later renumbered 6060 McKay) throughout their married lives. Within a year of moving to Burnaby, Edith got her first job sewing bedspreads for a large company, launching her career as an interior designer. She also started making dresses on commission. Gordon had a job at a fertilizer plant, which included delivering fruit trees and fertilizer door to door. He would often suggest new curtains or other material goods to the householders he visited, generating clients for Edith. Edith opened an Interior Design studio at South Granville in the first week of September, 1930 with her husband Gordon and Mrs. Ferguson, a previous client who ran a gift shop at the Georgia Hotel. Unfortunately, in 1932 Mrs. Ferguson became ill and was never to return to the studio. Edith and Gordon had two children; Clifford “Cliff” Wight born August 22, 1921 and Eulie Fanny Wight born in 1925. Clifford attended Kingsway West School in 1925 and was a graduate of Burnaby South High School. Eulie Fanny Wight graduated with a Bachelor of Arts from the University of British Columbia in 1957. Clifford also graduated from the University of British Columbia and was among the handful of students who first established the School of Architecture at UBC. Clifford later married Mary (Berryman) Wight. Gordon Edward Wight died July 30, 1945, his wife Edith Mary (Hall) Wight died November 11, 1986. Eulie Fanny Wight died June 19, 1998. Clifford Wight died February 27, 2005.
- Total Tracks
- 8
- Total Length
- 1:07:46
- Interviewee Name
- Wight, Edith
- Interview Location
- McKay Avenue, Burnaby
- Collection/Fonds
- Burnaby Historical Society fonds
- Subseries
- Oral history subseries
- Media Type
- Sound Recording
- Web Notes
- Interview was digitized in 2010 allowing it to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council and the BC History Digitization Program of the Irving K. Barber Learning Centre, University of British Columbia. It was recognized by the Heritage Society of BC with an award in 2012.
Audio Tracks
Track six of interview with Edith Wight
Track six of interview with Edith Wight
https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/100-13-23/100-13-23_Track_6.mp3Interview with Edith Wight July 21, 1975 - Track 8
https://search.heritageburnaby.ca/link/oralhistory145
- Repository
- City of Burnaby Archives
- Date Range
- 1930-1939
- Length
- 0:07:54
- Summary
- This portion of the interview pertains to Edith Mary (Hall) Wight's memories of the impact of being a working mother during the Depression years.
- Repository
- City of Burnaby Archives
- Summary
- This portion of the interview pertains to Edith Mary (Hall) Wight's memories of the impact of being a working mother during the Depression years.
- Date Range
- 1930-1939
- Length
- 0:07:54
- Interviewer
- McLeod, Ross S.
- Interview Date
- July 21, 1975
- Scope and Content
- Recording is of an interview with Edith Mary (Hall) Wight by Ross S. McLeod, July 21, 1975 at Edith's home on McKay Avenue, Burnaby. Major themes discussed are: the Depression and working outside the home. To view "Narrow By" terms for each track expand this description and see "Notes".
- Biographical Notes
- Edith Mary (Hall) Wight arrived in Burnaby in September of 1920 from England, a self-described war bride. Her mother, Fanny (Carnelly) was an accomplished seamstress and her father, Robert Hall a hobbyist painter and carpenter. Edith and her husband Gordon Edward Wight lived at 420 McKay (later renumbered 6060 McKay) throughout their married lives. Within a year of moving to Burnaby, Edith got her first job sewing bedspreads for a large company, launching her career as an interior designer. She also started making dresses on commission. Gordon had a job at a fertilizer plant, which included delivering fruit trees and fertilizer door to door. He would often suggest new curtains or other material goods to the householders he visited, generating clients for Edith. Edith opened an Interior Design studio at South Granville in the first week of September, 1930 with her husband Gordon and Mrs. Ferguson, a previous client who ran a gift shop at the Georgia Hotel. Unfortunately, in 1932 Mrs. Ferguson became ill and was never to return to the studio. Edith and Gordon had two children; Clifford “Cliff” Wight born August 22, 1921 and Eulie Fanny Wight born in 1925. Clifford attended Kingsway West School in 1925 and was a graduate of Burnaby South High School. Eulie Fanny Wight graduated with a Bachelor of Arts from the University of British Columbia in 1957. Clifford also graduated from the University of British Columbia and was among the handful of students who first established the School of Architecture at UBC. Clifford later married Mary (Berryman) Wight. Gordon Edward Wight died July 30, 1945, his wife Edith Mary (Hall) Wight died November 11, 1986. Eulie Fanny Wight died June 19, 1998. Clifford Wight died February 27, 2005.
- Total Tracks
- 8
- Total Length
- 1:07:46
- Interviewee Name
- Wight, Edith
- Interview Location
- McKay Avenue, Burnaby
- Collection/Fonds
- Burnaby Historical Society fonds
- Subseries
- Oral history subseries
- Media Type
- Sound Recording
- Web Notes
- Interview was digitized in 2010 allowing it to be accessible on Heritage Burnaby. The digitization project was initiated by the Community Heritage Commission with support from City of Burnaby Council and the BC History Digitization Program of the Irving K. Barber Learning Centre, University of British Columbia. It was recognized by the Heritage Society of BC with an award in 2012.
Audio Tracks
Track eight of interview with Edith Wight
Track eight of interview with Edith Wight
https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/100-13-23/100-13-23_Track_8.mp3Interview with Rick Sporns by Kathy Bossort October 30, 2015 - Track 4
https://search.heritageburnaby.ca/link/oralhistory606
- Repository
- City of Burnaby Archives
- Date Range
- 1900-2015
- Length
- 0:17:11
- Summary
- This portion of the interview is about Rick Sporn’s discussion of the value of natural areas to Burnaby, the city’s history of protecting green spaces, and the complementary role the Pavilion area plays in the Burnaby Mountain Conservation Area. He talks about how the rose garden and “Playground of…
- Repository
- City of Burnaby Archives
- Summary
- This portion of the interview is about Rick Sporn’s discussion of the value of natural areas to Burnaby, the city’s history of protecting green spaces, and the complementary role the Pavilion area plays in the Burnaby Mountain Conservation Area. He talks about how the rose garden and “Playground of the Gods” sculptures (Kamui Mintara) help Pavilion area visitors more fully appreciate the mountain setting. He also talks about the history of the construction of the Kamui Mintara sculptures.
- Date Range
- 1900-2015
- Length
- 0:17:11
- Names
- Burnaby Mountain Centennial Rose Garden
- Burnaby Mountain Centennial Park
- Kamui Mintara
- Central Park
- Geographic Access
- Burnaby Mountain Conservation Area
- Interviewer
- Bossort, Kathy
- Interview Date
- October 30, 2015
- Scope and Content
- Recording is of an interview with Rick Sporns conducted by Kathy Bossort. Rick Sporns was one of 23 participants interviewed as part of the Community Heritage Commission’s Burnaby Mountain Oral History Project. The interview is mainly about Rick Sporn’s description of the history and design of Burnaby Mountain Centennial Rose Garden and the significance of the Centennial Pavilion area in the Burnaby Mountain Conservation Area. Rick Sporns also talks about his career with the City of Burnaby’s Parks, Recreation and Cultural Services, management of Burnaby Mountain Conservation Area, and the value of natural areas to Burnaby.
- Biographical Notes
- Richard Sporns was born in 1957 in Daly Municipality, Manitoba, to Ulrich and Charlotte Sporns. The family moved to the Burquitlam Area of Burnaby in about 1965. Rick Sporns obtained his BSc degree in biology at SFU and a degree in landscape architecture at UBC. In 1985 he began his career in the City of Burnaby’s Park, Recreation and Cultural Services department where he currently is Assistant Manager - Parks Design. Rick was responsible for designing Burnaby Mountain Centennial Rose Garden, a legacy project proposed by Mark Stockdale to commemorate Burnaby’s 1992 Centennial. The rose garden opened to the public July 18, 1992.
- Total Tracks
- 6
- Total Length
- 1:01:40
- Interviewee Name
- Sporns, Richard "Rick"
- Interview Location
- City of Burnaby Parks, Recreation and Cultural Services meeting room
- Interviewer Bio
- Kathy Bossort is a retired archivist living in Ladner, BC. She worked at the Delta Museum and Archives after graduating from SLAIS (UBC) in 2001 with Masters degrees in library science and archival studies. Kathy grew up in Calgary, Alberta, and, prior to this career change, she lived in the West Kootenays, earning her living as a cook for BC tourist lodges and work camps. She continues to be interested in oral histories as a way to fill the gaps in the written record and bring richer meaning to history.
- Collection/Fonds
- Community Heritage Commission Special Projects fonds
- Media Type
- Sound Recording
Audio Tracks
Track four of interview with Rick Sporns
Track four of interview with Rick Sporns
https://search.heritageburnaby.ca/media/hpo/_Data/_Archives_Oral_Histories/_Unrestricted/MSS196-008/MSS196-008_Track_4.mp3Jesse Love farmhouse series
https://search.heritageburnaby.ca/link/museumdescription9782
- Repository
- Burnaby Village Museum
- Date
- [1893-1970] (date of originals), copied 1988-1998, predominant 1988-2000
- Collection/Fonds
- Burnaby Village Museum fonds
- Description Level
- Series
- Physical Description
- approx. 84 cm of textual records + approx. 1,910 photographs + approx. 100 architectural drawings + 3 audio cassettes + 1 videocassette
- Scope and Content
- Series consists of records involved in the purchase, moving, restoration, research, conservation and exhibiting of the Love family farmhouse by Burnaby Village Museum. Records have been arranged into the following subseries: 1) Love farmhouse conservation work files subseries 2) Love farmhouse re…
- Repository
- Burnaby Village Museum
- Collection/Fonds
- Burnaby Village Museum fonds
- Series
- Jesse Love farmhouse series
- Description Level
- Series
- Physical Description
- approx. 84 cm of textual records + approx. 1,910 photographs + approx. 100 architectural drawings + 3 audio cassettes + 1 videocassette
- Scope and Content
- Series consists of records involved in the purchase, moving, restoration, research, conservation and exhibiting of the Love family farmhouse by Burnaby Village Museum. Records have been arranged into the following subseries: 1) Love farmhouse conservation work files subseries 2) Love farmhouse restoration photographs subseries 3) Love farmhouse curatorial files subseries 4) Love farmouse research files subseries 5) Love family photographs 6) Love farmhouse Oral History subseries 7) Love farmhouse architectural drawings subseries
- History
- Jesse Love was born in Swindon, England in 1847 and left England to work on a dairy farm in the Toronto area. While working on the farm in Toronto, he met Martha Leonard who he married in 1879. Martha was born on February 3, 1858 in Bedfordshire, England and had come to Canada with her parents George and Ann Leonard. While living in Toronto, Jesse and Martha had two children, George born March 22, 1880 and Annie Elizabeth on August 24, 1881. About one year after Annie was born, the Love family moved to North Dakota to grow wheat. While living there, they had two more children, Henry who was born August 24, 1883 and Edith Minnie born October 9, 1885. The family decided to move further west after hearing about the fairer weather conditions from Martha’s father, George Leonard, who had settled in Vancouver in 1885. On May 23, 1887, Jesse, Martha and their four children arrived in Vancouver after travelling across Canada from Winnipeg on the first transcontinental train. The Loves made their home in Vancouver while Jesse helped clear land on Granville Street. Their fifth child, Thomas Robert was born on September 17, 1887 and soon after, the family moved to Lulu Island in Richmond where they lived growing vegetables and selling them to Vancouver hotels. While living and farming on Lulu island, the couple had two more girls, Martha (Dot or Dorothy) born on December 17, 1889 and Sarah Marie, born February 8, 1892. On October 6, 1893 an agreement was signed by Jesse Love to purchase 14.52 acres of land from Joseph C. Armstrong. The acreage covered the north east section of District Lot 25 within the newly incorporated District of the Municipality of Burnaby. It was here where the original Love house was built (between October 1893 and April 15, 1894) by Jesse Love with the help of local builder George Salt and father in law, George Leonard. The house consisted of an entrance hall, dining room, lean to kitchen, master bedroom and three bedrooms upstairs. A road was constructed and named Cumberland in 1905 and ran from District Lot 25 through to District Lot 11. The address for the Love home was 1390 Cumberland Road and in the early 1960’s the address was renumbered 7651 Cumberland Street. On the land surrounding the house, Jesse Love planted an orchard along with strawberries and raspberries which he sold at the Fraser Valley Market, T.S. Anandale’s Grocery Store in New Westminster and to hotels around Vancouver. Jesse Love served on the Burnaby School Board and also as a District Councillor in 1901 and from 1904-1907. While living in the house, Jesse and Martha had four more children, Phoebe Leonard, born April 15, 1894, Esther, born August 28, 1896, John Leonard, born June 7, 1899 and Hannah Victoria (also known as Girlie) who was born May 12, 1902. As the family grew to eleven children, additions along with some substantial remodelling in the craftsman style took place. In about 1898, a north wing addition was added to include a parlour with two windows, the construction of two more bedrooms and the relocation of the stair case to the North West wall. In 1903 the front door moved to the north elevation, a front porch was extended along the east wall and a summer lean to kitchen was added to the west elevation. Between 1905 and 1910, a tin embossed ceiling was installed along with an addition of the main kitchen which included a pantry, bathtub and a back porch. In about 1912, five craftsman style windows replaced the original pioneer tent style, the front verandah was enlarged to wrap around the south and east elevations, a back door was installed in the kitchen to access the verandah and wood shingle siding and brackets were added to the exterior. In 1918, at the age of 31 years, Robert Love fell ill due to an influenza epidemic and died on November 23, 1918. Following their son’s death, Martha Love became weak and on August 24, 1920, she passed away. By this time, Jesse had sold off a large percentage of his land and his youngest daughter, Girlie decided to stay on to live and care for him. Since the house was too large for just the two of them, Jesse invited any other children to return and share the residence. For a while his son, George and his wife joined them until 1925, followed by his daughter Sarah Parker (nee Love), her husband William and their three children, Albert, Bill and Elsie. The house remained pretty unchanged until 1928 after Jesse Love died of pneumonia (March 10, 1928) and the house was purchased by Sarah and her husband William Parker who continued to live there with their children. The master bedroom wall on the main floor opened up to the dining room, the kitchen pantry and bathtub converted to an alcove with a marble counter and enlarged window and sink while the bathroom was moved to the upstairs and the furnace and coolers were installed in the crawl space under the kitchen. A hot water tank was installed in the house in 1966. Sarah continued to live in the house until a little while after her husband William died in 1961. She sold the house to her daughter Elsie and husband John Hughes in 1966, who lived in the house along with their son Brent, until August 23, 1971. Mahbir Molchan Papan and his wife Geraldine Papan bought the house August 23, 1971 and by 1982, the house was sold to Nirmal Singh Singha and Narinder Singha. The Papans continued to rent the house from Nirmal Singh Singha and Narinder Singha until the late 1980s. In 1988, the house was scheduled for demolition with the remaining property to be subdivided. Fortunately, a neighbour, Mr. Harvey Elder recognized the farmhouse's historical significance and contacted the Burnaby Historical Society. Following this event, the owners agreed to donate the building to the Burnaby Village Museum (under the Century Park Museum Association) who financed the move of the house from Cumberland Street to the museum site. Heritage planner and architect, Robert Lemon provided guidance for the project. Prior to the move, the two porches were removed and demolished while the kitchen and roof were both separated from the main house. The kitchen and roof of the house were transported to Burnaby Village Museum on May 20, 1988 by Nickel Bros. House Moving company, while the main frame of the house completed its transportation to the museum near the end of May 1988 (due to low overhead wires). The house was moved down Cumberland Street to 10th Avenue, up Canada Way to Sperling and set on temporary footings near Hart House. Robert Lemon oversaw structural improvements such as, upgrading floor joists and creating new foundations to replace the original timber foundation of the farmhouse. The restoration went through several phases of work between 1988 until it opened in November 1998. Restoration began on both the interior and exterior features to be interpreted from the period of 1925. On November 23, 1992, the building was designated a heritage building under Heritage Designation Bylaw 1992, Bylaw Number 9807. In 1993, the architecture firm of Brian G. Hart Associates was appointed for the design and construction supervision of the restoration project. Plans were created for a foundation on the museum site in 1989 and the farmhouse was eventually settled on a permanent foundation behind the Burnaby Village Museum administration building in 1993 along with the reattachment of the roof. The kitchen section was reattached to the main house in 1994 along with skirting around the foundation and the reshingling of the exterior. In 1996, the tin ceiling was removed to make way for the installation of the internal electrical system along with sprinklers, ceiling heating and fire break gyprock. The dining room ceiling joists were consolidated, a pantry and bathroom were added to the kitchen, the downstairs bedroom wall was opened and filled, the dining and kitchen doorways were widened. In 1997, a wheelchair ramp was installed along with a concrete sidewalk, stair rails, cement pads at the base of the stairs and a gravel sink for any excess water. Interior work included painting of the kitchen, restoration and furnishing of the kitchen pantry, insulation of the house floor to protect from rodents along with the reconstruction of the kitchen and house chimneys. The registrar worked together with the curator and conservator and was tasked with a large research project on the house including the family contacts and family history, property information, plans, photographs, artifacts, furnishings, stories etc. all organized in files for easy retrieval. A great deal of research and conservation was undertaken in order to make the interior of the house authentic to the time period as possible. One of the biggest projects was selecting and obtaining wall coverings since much of the original wallpaper was incomplete and poor condition. The conservator and registrar were lucky enough to locate a few samples of the original paper and engage the Bradbury and Bradbury Art Wallpaper Company of Benica, California to reproduce replica designs for free. The City of Burnaby now has its own series “Burnaby Village Papers” produced by this company which are titled “Burnaby Wall”; “Burnaby Border” and “Burnaby Ceiling”. All three of these wallpaper designs have been used in the Love farm house and are also commercially available through the Bradbury and Bradbury Art Wallpaper Company. In 1997, restoration of the kitchen was completed and opened to the public. After the completion of the dining room, main floor bedroom and parlour, the Love farmhouse exhibit opened on November 29, 1998 with an open invitation to the public and extended members of the Love family. Officials including the Mayor, Doug Drummond and Love family members were all present to cut the ribbon for the special event.
- Accession Code
- BV018.41; BV020.5
- Access Restriction
- Restricted access
- Date
- [1893-1970] (date of originals), copied 1988-1998, predominant 1988-2000
- Arrangement
- The majority of the records within series and subseries were arranged by a staff members of Burnaby Village Museum who worked on the historical research and restoration of the house. Other photographs documenting the move and further restoration work were added later and included in the arrangment by format and subject.
- Notes
- Title based on content of series
- Jesse Love farmhouse is described as an Artifact under BV988.33.1
- Some records within this collection have restricted access and are subject to FIPPA
- Accessions BV018.41 and BV020.5 form this fonds